She tried everything on winter days
to make us eat it. Dusted the summit
with demerara sugar, melted
to caramel lava, moated it
with evaporated milk, told us
every mouthful was an item
from our favourite summer play park:
this is the see-saw; this is the swings,
when oats were cheap, and all we wanted
was Variety Pack, child-sized boxes
of cartoon-branded e-numbers
and air that wouldn’t keep us warm.
Now, I love this shaggy, boucle blanket
the colour of old string, snuggle
beneath it every frost-locked morning,
sweet enough for Big Me with chunks
of windfall apple or grated clementine peel.
My sister still has Dad’s old bowl, enormous
as his builder hands, transfer-printed
with a red rose. At Christmas,
we use it, our holy relic, anoint it with clotted cream,
tell ourselves every mouthful is evaporated milk,
glimpse his reflection in the cracked glaze,
try to coax her back: this is the see-saw;
Mum, this is the swings.
Melanie Branton is a spoken word artist from Bristol, UK. She has three collections and has been published in journals including The Honest Ulsterman, The Moth, Poetry Wales and Poetry Salzburg Review.
More work by Melanie Branton
Tel: 028 7126 6946
Email: hueditor@theverbal.co
Verbal, Stable Lane and Mall Wall, Bishop Street Within, Derry/Londonderry, BT48 6PU
companyCopyright © 2026 Honest Ulsterman