June 2026

poetry

The Venus of Renancourt

by James O'Hara-Knight

Suspended on wire hoops as though ensnared – 
the very centre of the display case. 
One tentacles your hip-swoops and another  
scoops at your block neck where the crosshatched stump 
of your head tips forward as still asleep 
or in the strangeness of exhumation. 
How eerie to think that from millennia 
silt-interred, seven Tutankhamuns’s dead years, 
this patch of museum light has snatched you still.  
 
I circumambulated you, bowed in basement  
hush, the dark room your very own, to peer  
properly at your tiny heft, at your pied 
grey trunk, all tabs and divots; campanulate 
thighs, twin inguinal eyelids furcular; 
at your small back cloven and dug out. To think  
once someone impossibly past prodded you  
to poise, face drawn close to that orphan chalk 
until you woke from it: miniature mother. 
First, a flash of palms and urgent fingers, 
one moment being handled all the time, 
then twenty thousand years of buried sleep. 
 

james-ohara-knight
James O'Hara-Knight

James O'Hara-Knight is a writer from East London. His poetry and fiction have been shortlisted and longlisted in many prizes, including the 2019 Live Canon International Poetry Competition and the 2018 Winchester Poetry Prize, in both of which he was highly commended. His writing has been widely anthologised and appears in literary journals such as The London Magazine, Poetry Birmingham Literary Journal, The Keats-Shelley Review, Acumen, and Lighthouse Literary Journal. He is pursuing a PhD on British and Irish place poetry after Wordsworth, funded by a Queen Mary University of London Principal's Research Studentship. 

More work by James O'Hara-Knight

1968 - 2026

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