Suspended on wire hoops as though ensnared –
the very centre of the display case.
One tentacles your hip-swoops and another
scoops at your block neck where the crosshatched stump
of your head tips forward as still asleep
or in the strangeness of exhumation.
How eerie to think that from millennia
silt-interred, seven Tutankhamuns’s dead years,
this patch of museum light has snatched you still.
I circumambulated you, bowed in basement
hush, the dark room your very own, to peer
properly at your tiny heft, at your pied
grey trunk, all tabs and divots; campanulate
thighs, twin inguinal eyelids furcular;
at your small back cloven and dug out. To think
once someone impossibly past prodded you
to poise, face drawn close to that orphan chalk
until you woke from it: miniature mother.
First, a flash of palms and urgent fingers,
one moment being handled all the time,
then twenty thousand years of buried sleep.
James O'Hara-Knight is a writer from East London. His poetry and fiction have been shortlisted and longlisted in many prizes, including the 2019 Live Canon International Poetry Competition and the 2018 Winchester Poetry Prize, in both of which he was highly commended. His writing has been widely anthologised and appears in literary journals such as The London Magazine, Poetry Birmingham Literary Journal, The Keats-Shelley Review, Acumen, and Lighthouse Literary Journal. He is pursuing a PhD on British and Irish place poetry after Wordsworth, funded by a Queen Mary University of London Principal's Research Studentship.
More work by James O'Hara-Knight
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