from god on film (a hotel scene)
dear god I have lost my handwriting:
this what happens in hotels
how little is said in daylight
when the dark is full of sounds
that is probably why ink is black
and I'll never go back to you
though it is always you I go back to
meeting on islands in dreams to talk it through
often noting how the poles
of beautiful and ugly are the same
how an ultimate in-between would occur off-screen
when someone unseen instructs "die"
and beautifully, these are the instructions
as I tell you how sad it can be to zoom in so close
and then back so far away
to see everything be that doesn't know itself seen
set against music that never knew how to speak
and suddenly to have a nose full of god
then that colour adrum in your ear
then all at once the lights shut-off
from god on film (for you)
I talk to the sea
as though it is all of those I have ever called
"you" dissolved into one other
with one capacity to drown
or retreat from me eyeless
into one speechless indifference
you might drown in sameness
or in the gap between yourself and what's different
from god on film (first aphorism of light)
when traffic light comes in
and roams around in here
it falls off objects
as if it had weight
it doesn't
but that is the meaning of it
and that is enough cause
for me to tell you of it
Susanna Galbraith (she/her) is from Belfast. She is a Poetry Ireland Introductions 2023 selectee. Her recent poems have appeared in New England Review, Berlin Lit, Propel Magazine and others. Her first pamphlet is forthcoming with Nine Pens Press, 2024. She is also an editor of Abridged
Follow her on Twitter @susannaalice
More work by Susanna Galbraith
Tel: 028 7126 6946
Email: hueditor@theverbal.co
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